TCM Classic Film Fest: Day 2

2010 April 28

Yesterday, I gave my wrap-up of Thursday, Day 1 at the TCM Classic Film Festival.  Today, on to Friday, the first full day at the festival.

We started the day with a beautiful digital print of King Kong (1933) at Grauman’s Chinese theater.  Leonard Maltin was on hand to introduce the film.  He pointed out that we were about to see King Kong where it had originally premiered 77 years earlier.  You can hear the full audio here:

Leonard Maltin introduces King Kong

The film, of course, was fantastic.  What they were able to accomplish in 1933 without CG is phenomenal.  Someone tell me, why do we use so much CG nowadays?

Josh and I lamented the Peter Jackson version of King Kong.  It had such potential.  I wonder why he thought it necessary to tell the story in almost 3 hours when Merian C. Cooper did the story just fine in only 90 minutes.  There’s a great film in PJ’s footage, it just needs to be cut together.  If you haven’t seen the original King Kong, rent it!

Next we went back to Club TCM at the Hollywood Roosevelt Hotel to hear A Conversation between Peter Bogdanovich and Leonard Maltin.  This was the highlight of the event.  As you may know if you follow this blog or my twitter account, I have recently developed an appreciation for Bogdanovich’s films – Paper Moon being my favorite – and it was fascinating to hear stories about the productions of his most popular films.

Peter Bogdanovich is one of our last living links between old and new Hollywood.  He spent hours and hours interviewing all of the great filmmakers of the 30′s and 40′s.  He wrote a book called Who the Devil Made It in which he printed his interviews with such greats as Howard Hawks, Alfred Hitchcock, and Fritz Lang.  I went home and ordered the book that night and have begun reading it.

I recorded the audio but sadly, the PA system wasn’t great in the room so it is very echo-y.  I won’t be posting it.  But you can look up Peter Bogdanovich on youtube.com and see him tell stories of these great filmmakers and see him do impressions of each of them.  He’s quite impressive.

Mr. Bogdanovich was asked about current Hollywood films.  He said that it used to be that genre films such as horror, action, sci-fi, etc… were the “B” pictures and films about people were the “A” pictures.  Most of the money in Hollywood was spent on those films.  But in the late 70′s, with the advent of the Blockbuster (Jaws, Star Wars, Close Encounters of the Third Kind), there started to be a shift.  The “B” pictures became the “A” pictures.  Now all the money in Hollywood is spent on genre films and barely any money is spent on films about people.  The indie world is just about the only place making films about people.  I thought this a fascinating point.

As always, Josh and I advocate the thinking man’s genre film – such as Jaws, Star Wars, and Close Encounters of the Third Kind.  Unfortunately, with movies like Transformers and Clash of the Titans, all the effort is spent on the spectacle and no effort is spent on the story.  Tell me you can see a difference between Transformers and Jaws, right?  I suppose the average movie goer can’t and that’s why we’re in the mess we’re in today with brainless summer blockbusters.  (Of course, there are exceptions as in The Dark Knight.  These are the films we should be supporting.)

One final comment Mr. Bogdanovich made was his frustration with film editing today.  He said directors used to hide their presence by making their cuts invisible.  Now they call attention to it as if yelling, “Look Ma, I’m directing.”  So true.

Josh and I briefly met Leonard Maltin after the discussion.  Josh asked him if we could be expecting any more Disney Treasures.  He said no.  Apparently the current administration at Disney has no interest in the classics.  That is a terrible shame.  But Mr. Maltin was grateful for the 9 years he was able to work on the Treasures.  I’m grateful for them too.

After that, we saw The Producers (1968) back at the Grauman’s Chinese.  It was introduced by Mel Brooks.

I had never seen The Producers so I had no idea what to expect.  I was pleasantly surprised by just how funny it was.  Gene Wilder stole the show for sure.

Check out some video of Mel Brooks during the discussion before the film over at TCM.com.

Then we went over to the Egyptian and saw Casablanca (1942.) We were excited to find that Peter Bogdanovich was introducing the film along with Paul Henreid’s daughter.  Henreid played resistance leader Victor Laszlo.  Hear the audio:

Peter Bogdanovich discusses Casablanca with Paul Henreid’s daughter.

Finally, we closed the night at a 9:30 screening of Top Hat (1935), starring Fred Astaire and Ginger Rogers.  I had never seen the film before – the only scene I had seen was shown in The Green Mile – “Heaven, I’m in Heaven…”  I believe the song is called Cheek to Cheek.  I thoroughly enjoyed the film.  It’s definitely one of the best Fred and Ginger movies.

Robert Osborne, the on air host of TCM, was on hand to introduce the film.  Every time we saw him, he was always swarmed by adoring fans.  He was a rock star at this event.  Every time he introduced a film, he received a standing ovation.  Check out the audio here:

Robert Osborne introduces Top Hat

That’s it for Friday.  See our Friday tweets below:

Jeremiah:

Josh:

4 Responses leave one →
  1. April 28, 2010

    GREAT recap! Bogdanovich’s Q&A was a highlight for me as well–his advice to “cut on movement” was something that thoroughly impressed me too, and I’m not even a director! (although I do work for you people ;) I also loved the idea of him riding around in Jerry Lewis’ classic 66 mustang. Too cool.

    Thanks for the update, especially the Top Hat audio– that screening was just too much fun. It’s great reliving what was probably my best experience at a film festival EVER. (Sundance? Tribeca? BAH!)

    • April 29, 2010

      Thanks for sharing Carley! I’m going through withdrawals. That was such a fun weekend.

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